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here we have the selected few of very bright pictures of the latest film, @fruchtzwerg_hh and me shared. It was a agfa precisa 100 and i guess we both set our cameras on 200 AsA. How they got so bright, i don't know to be honest.. I took the pictures in india whilst my swap-partner took them in Dresden & Meißen with a Lomo LC-wide.
here we have the selected few of very bright pictures of the latest film, @fruchtzwerg_hh and me shared. It was a agfa precisa 100 and i guess we both set our cameras on 200 AsA. How they got so bright, i don't know to be honest.. I took the pictures in india whilst my swap-partner took them in Dresden & Meißen with a Lomo LC-wide.
here we have the selected few of very bright pictures of the latest film, @fruchtzwerg_hh and me shared. It was a agfa precisa 100 and i guess we both set our cameras on 200 AsA. How they got so bright, i don't know to be honest.. I took the pictures in india whilst my swap-partner took them in Dresden & Meißen with a Lomo LC-wide.
Film swap with @eleonorepairet. I shot my part in Viana do Castelo (Portugal) then took the roll with me to the Ten and One Lomography Residency Week in Vienna where Elle shot her pics.
Film swap with @eleonorepairet. I shot my part in Viana do Castelo (Portugal) then took the roll with me to the Ten and One Lomography Residency Week in Vienna where Elle shot her pics.
hodachrome and I have recently completed two film soup swaps.. One roll started off in UK, and ended up in Japan and on finishing the roll, Hodaka cooked the film using this recipe here: http://www.lomography.com/magazine/tipster/2013/02/27/lets-cook-the-film-the-recipe-of-film-soup
The other roll started off in Japan and ended up with me in the UK.. On completing the roll, I mixed together some boiled water with silica gel and washing detergent, and left it to cool a little. Then I went into my make-shift darkroom and pulled out the film from the canister. Next I flicked and dabbed the soup onto the exposed film. I waited for a few minutes and then rewound the film into the canister. Afterwards I went to the kitchen and dropped the film into just-boiled water, and after 5 minutes I transferred it into cold water for a minute. Then back in the darkroom I pulled the film out from the canister again and dried it with a hairdryer, and when done I rewound the film. The film was then developed at Asda, and scanned at The Vault in Brighton.
We do not discuss what we have each taken photographs of, so the results are always a surprise..
More on hodachromes page here.. http://www.lomography.com/homes/hodachrome/albums/1995706-filmsoup-swap-with-fotobes-x-process
1st day out in 2012, at the motu (little sand island in the lagoon) with a friends boat for a little picnic and relaxing afternoon. I shot with the Krab and noticed it gave the picture a strange light reflection at the bottom of each shot...
I shot this in July 2014 at 25ASA but deliberated for ages on whether to buy the special high contrast developer or just to wing it with Caffenol like I normally do. Finally, with some help, I decided on using the Caffenol Delta Micro recipe and I'm actually quite pelased with the results. Some shots are mostly black but I love the subtle detail present. I also like that some shots look sort of solarised. I'm not sure how that happened. These shots were taken in an abandoned china clay industry place. There were a MILLION seagulls living there that made the most immense noise at our presence. I wish I could add sound effects.
