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I found some more photos of Rouen, shot last year with different cameras - a Minolta AF reflex, a Reto Ultra Wide and the Sprocket Rocket.
Today, "Hotel de Bourgtheroulde", an gothic mansion from the 16th century.
Previous galleries can be seen here :
the Art Museum : https://www.lomography.com/homes/mackiechartres/albums/2432537-05-2023-rouen-normandy-musee-des-beaux-arts
the Gros Horloge street https://www.lomography.com/homes/mackiechartres/albums/2432699-05-2023-rouen-rue-du-gros-horloge
skulls and bones https://www.lomography.com/homes/mackiechartres/albums/2432775-05-2023-skulls-and-bones-rouen-aitre-saint-maclou
the cathedral
https://www.lomography.com/homes/mackiechartres/albums/2432624-05-2023-rouen-the-cathedral
and yes, the weather was not fantastic !
Without a doubt, the most beautiful excursion of our stay in Ushuaia: the boat trip on the Beagle Channel. It was cold, but what a spectacle. The sea wolves, the wild birds, the scouts' lighthouse, the spectacular natural setting, the location of the two opposing shores, the Chilean to the south, the Argentinian to the north. Here's the second part, shot with a Lomography Color Negative 800 roll, and my favorite Nikkor 50mm lens.
Without a doubt, the most beautiful excursion of our stay in Ushuaia: the boat trip on the Beagle Channel. It was cold, but what a spectacle. The sea wolves, the wild birds, the scouts' lighthouse, the spectacular natural setting, the location of the two opposing shores, the Chilean to the south, the Argentinian to the north. Here's the second part, shot with a Lomography Color Negative 800 roll, and my favorite Nikkor 50mm lens.
Without a doubt, the most beautiful excursion of our stay in Ushuaia: the boat trip on the Beagle Channel. It was cold, but what a spectacle. The sea wolves, the wild birds, the scouts' lighthouse, the spectacular natural setting, the location of the two opposing shores, the Chilean to the south, the Argentinian to the north. Here's the second part, shot with a Lomography Color Negative 800 roll, and my favorite Nikkor 50mm lens.
Without a doubt, the most beautiful excursion of our stay in Ushuaia: the boat trip on the Beagle Channel. It was cold, but what a spectacle. The sea wolves, the wild birds, the scouts' lighthouse, the spectacular natural setting, the location of the two opposing shores, the Chilean to the south, the Argentinian to the north. Here's the second part, shot with a Lomography Color Negative 800 roll, and my favorite Nikkor 50mm lens.
Without a doubt, the most beautiful excursion of our stay in Ushuaia: the boat trip on the Beagle Channel. It was cold, but what a spectacle. The sea wolves, the wild birds, the scouts' lighthouse, the spectacular natural setting, the location of the two opposing shores, the Chilean to the south, the Argentinian to the north. Here's the second part, shot with a Lomography Color Negative 800 roll, and my favorite Nikkor 50mm lens.
Without a doubt, the most beautiful excursion of our stay in Ushuaia: the boat trip on the Beagle Channel. It was cold, but what a spectacle. The sea wolves, the wild birds, the scouts' lighthouse, the spectacular natural setting, the location of the two opposing shores, the Chilean to the south, the Argentinian to the north. Here's the second part, shot with a Lomography Color Negative 800 roll, and my favorite Nikkor 50mm lens.
Without a doubt, the most beautiful excursion of our stay in Ushuaia: the boat trip on the Beagle Channel. It was cold, but what a spectacle. The sea wolves, the wild birds, the scouts' lighthouse, the spectacular natural setting, the location of the two opposing shores, the Chilean to the south, the Argentinian to the north. Here's the second part, shot with a Lomography Color Negative 800 roll, and my favorite Nikkor 50mm lens.
Without a doubt, the most beautiful excursion of our stay in Ushuaia: the boat trip on the Beagle Channel. It was cold, but what a spectacle. The sea wolves, the wild birds, the scouts' lighthouse, the spectacular natural setting, the location of the two opposing shores, the Chilean to the south, the Argentinian to the north. Here's the second part, shot with a Lomography Color Negative 800 roll, and my favorite Nikkor 50mm lens.
